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In 1955, Miles Davis signed on with jazz powerhouse Columbia Records. With alto and tenor saxophonists Cannonball Adderley and John Coltrane, drummer Philly Joe Jones, bassist Paul Chambers, and pianist Red Garland, Davis released 'Round About Midnight, which evinces even more clearly what a phenomenal unit Davi…
Jimi Hendrix's second album doesn't resonate through rock history the way its gatecrashing predecessor, Are You Experienced?, does. In places, it almost seems as if Hendrix is cruising, albeit sublimely. Yet it's a vital album, containing some of rock's molten milestones. There's the fluid psychedelia of "Castle…
Benjamin Zander has been making his reputation by examining the correct tempos for familiar works, as in his pioneering recording of Stravinsky's Le Sacre du Printemps. Here, on a bonus disc, which is longer than the performances, he offers the most illuminating commentary on music since Leonard Bernstein. Wheth…
The first important leader date from one of jazz's most seminal figures and farsighted practitioners. Having made his reputation in large measure from playing with bop giant Charlie Parker, Davis confounded expectations when he embraced the "cool" arranging style of Gil Evans, an arranger for Claude Thornhill's band. E…
recording contract but was able to honor a previous commitment to Blue Note and release this one album. With four Coltrane originals, including the haunting theme of the title track, and one standard, this recording showed Coltrane was becoming the complete package: player, composer, and bandleader. What distinguishes …
Originally released in March 1964, this collaboration between saxophonist Stan Getz and guitarist Jo?o Gilberto came at seemingly the end of the bossa nova craze Getz himself had sparked in 1962 with Jazz Samba, his release with American guitarist Charlie Byrd. Jazz Samba remains the only jazz album to re…
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